Аннотация: The article addresses the need for a new direction of psychology known as “sublimation psychology”, prerequisites for the creation of which have emerged in the scientific discoveries of the last decades in the fields of psychoneuroendocrinology, psychoneurology and psychogenetics. In the context of developing sublimation psychology, we have investigated the various properties and characteristics of “Sympho-Electronic Music” (SEM) – a new musical genre, which has a strong essence impact potential. We analyze the advantages of using SEM in the deep-essence psychotherapy of art-humanitarian practice (AHP), based on the implementation of the major principles and fundamental medical and psychological aspects of Essence Coding Theory (ECT). Primarily, the article uses a complex methodological concept, in which the basal toolkit of holistic meta-heuristic ECT doctrine takes a central, key position. We show a fundamental difference of sublimation psychology from all other areas of psychology, expressed by its explicit focus on the scope of various ethical attributions and aesthetic competencies implemented in AHP. In the context of developing various aspects of AHP, we introduce new concepts, such as “essence code”, “essence psycho-neuroendocrine status”, “essence R-E neuroprocessing”, “essence genome-hormonal reception”, “essence transmutation”, “vital information system”, “ethical levels”, “passionary-evolutionary ethics”, “sublimation aesthetics”, “exo-psychological control”, “dormant genomic programs”, “matrix of essence standards”, “detector of essence errors”, “code of spiritual rank”, “aesthetic-sublimation insight”, “immortalization index”, “noematic theurgy” and others.We have identified reasons for which the psychotechnics of art-humanitarian practice should use music created with digital technology, and especially the music of the pioneering genre SEM, closely associated with such new musicological concepts as “timbre-keeping”, “emotive typology of timbre”, “class of organs”,“sympho-electronic organ”, “sonoristic analysis”, “sonoristic matrix”, “sonoristic bench mark”, “sacral acoustics”, “coding-numeric score”, “coding-numeric aesthetics”, etc.
Ключевые слова: passionary-evolutionary ethics, noematic theurgy, aesthetic-sublimation insight, sympho-electronic music, essence coding theory, art-humanitarian practice, sublimation psychology, spiritual rank code, immortalization index, coding-numeric score
Контактная информация: Энфи Арам Суренович, 117574, Россия, г. Москва, ул. Голубинская, д. 7, офис 16.
Библиография:
Lundin, R. W.: An objective psychology of music. New York: Press, Ronald, 1953.
Moles, A., Information theory and aesthetic perception. Chicago: University of Illinois Press, 1966.
Jacobson, H.: Information and the human ear. Journal of the Acoustical Society of America, 1951, 23, 463-471.
Hameroff, S., Penrose R., Orchestrated Objective Reduction of Quantum Coherence in Brain Microtubules: The "Orch OR" Model for Consciousness.// Mathematics and Computer Simulation 40:453-480, 1996.
Grof, S., Spiritual Emergency: When Personal Transformation Becomes a Crisis edited by StanislavGrof and Christina Grof (J.P. Tarcher, Los Angeles, CA, 1989, Putnam Publications).
Eccles, J.C. (1992) Evolution of consciousness. Proc. Natl. Acad. Sci. (89)7320-7324.
Cohen, J. E.: Information theory and music. Behavioural Science, 1962, 7(12) 137-163.
Beck, F. and Eccles, J.C. (1992) Quantum aspects of brain activity and the role of consciousness. Proc. Natl. Acad. Sci. USA 89(23):11357-11361.
Brindley, G. S. & Ewin, W.C. The sensation produced by electrical stimulation of the visual cortex. In Sterling, T. D., et al. (Eds.) Visual Prosthesis. New York: Academic Press, 1971.
Brambring, M.: Technical and practical utilization of electronic mobility aids for the blind. I Handicappinstitutet. (Eds.) June, 1974.
Attneave, F.: Application of information theory to psychology. New York: Holt, 1959.
Arbid, M. A: Brains, machines and mathematics. New York: Mc. Graw-Hill, 1964.
AdornoTh.W. Philosoplue der NeuenMusik. Frankfurt a M, 1958.
Garyaev P., Enfi А. Ethics, Spirituality... Oncology, HIV (Reshaping the medical problems in the light of Linguistics, Wave Genetics and Essence Coding Theory) // New Medical Technologies / New Medical Equipment.-Medizdat, Moscow, 2010. – No. 11. p. 51-72.
Yevin I. Music and the brain. Compilation: Languages of science –languages of art. Moscow, RHD, 2004
Enfi А. “Sympho-electronicmusic: Genesis” // Problems of musical science, 2013, No. 1-p. 36-41
Enfi А. Sympho-electronicmusicis Russia's priority, Pedagogy of art, No. 3, 2012.
Enfi А. Sympho-electronicmusic: social aspects// Sotsiosfera. 2011-No. 2.-p. 18-24.
RotenbergV. Psychoneuroimmunology: a new dimension to an old problem. // Priroda. М. 1991, No.2, p. 29-34.
Enfi А. Sympho-electronicmusic: psychological aspects // Psikhologicheskaya gazeta.-20.05.2011.
Asaf’evB. Symphonism as a problem of modern musicology, L., 1926.
Enfi А. Art-humanitarian practice (amonograph). PublishedbyArt-Humanitarian Centre – М., 1999
Enfi А. What is “sympho-electronic music”? // Music and time.-2011.-No.4.-P. 67-71
Enfi А. Sublimation psychology (a monograph). PublishedbyArt-Humanitarian Centre– Moscow, 2013
Bondarenko V., Yevin I. Attractor network model of music tonality and controlling chaos in the brain, N.Y., 2006
Vysheslavtsev B. Ethics of transfigured Eros. Problems of the Law and Grace// М.: Respublika, 1994.
Enfi А. Essence coding theory as an ethical basis for ideological paradigm of the 3rd Millennium // Proceedings: Proceedings of the International Conference "Valeology and Eniology of the 3rd Millennium", Yalta / Simferopol, 2007
Enfi А. Essence coding theory (a monograph). Art-Humanitarian Centre– Moscow, 1991
BelkinА. Hormones and the unconscious// Psikhoanaliticheskiy vestnik. – М., 2001. – No. 9. p. 70-90. Article with commentsby А. Enfi // Online version available at: http://aramenfi.narod.ru/articls.belkin1.html
Ronald N. Bracewell. The Fourier Transform and its Applications. McGraw-Hill Book Company, 1986.
Simon, G. Information-processing analysis of perceptual processes in problem solving // Psychol. Review. 1969.
Pribram, K. H.: (Ed.). Brain and behaviour. Vols. 1, 2 & 4. Victoria, Australia: Penguin, 1969.
Shannon C, An algebra for theoretical genetics, (Ph.D. Thesis, Massachusetts Institute of Technology, 1940.
Shuter, R.: The psychology of musical ability. London: Methuen 1968.
Wiener, N.: God and golem, inc.. Cambridge: Massachusetts Institute of Engineering, 1964.
References (transliteration):
Lundin, R. W.: An objective psychology of music. New York: Press, Ronald, 1953.
Moles, A., Information theory and aesthetic perception. Chicago: University of Illinois Press, 1966.
Jacobson, H.: Information and the human ear. Journal of the Acoustical Society of America, 1951, 23, 463-471.
Hameroff, S., Penrose R., Orchestrated Objective Reduction of Quantum Coherence in Brain Microtubules: The "Orch OR" Model for Consciousness.// Mathematics and Computer Simulation 40:453-480, 1996.
Grof, S., Spiritual Emergency: When Personal Transformation Becomes a Crisis edited by StanislavGrof and Christina Grof (J.P. Tarcher, Los Angeles, CA, 1989, Putnam Publications).
Eccles, J.C. (1992) Evolution of consciousness. Proc. Natl. Acad. Sci. (89)7320-7324.
Cohen, J. E.: Information theory and music. Behavioural Science, 1962, 7(12) 137-163.
Beck, F. and Eccles, J.C. (1992) Quantum aspects of brain activity and the role of consciousness. Proc. Natl. Acad. Sci. USA 89(23):11357-11361.
Brindley, G. S. & Ewin, W.C. The sensation produced by electrical stimulation of the visual cortex. In Sterling, T. D., et al. (Eds.) Visual Prosthesis. New York: Academic Press, 1971.
Brambring, M.: Technical and practical utilization of electronic mobility aids for the blind. I Handicappinstitutet. (Eds.) June, 1974.
Attneave, F.: Application of information theory to psychology. New York: Holt, 1959.
Arbid, M. A: Brains, machines and mathematics. New York: Mc. Graw-Hill, 1964.
AdornoTh.W. Philosoplue der NeuenMusik. Frankfurt a M, 1958.
Garyaev P., Enfi A. Ethics, Spirituality... Oncology, HIV (Reshaping the medical problems in the light of Linguistics, Wave Genetics and Essence Coding Theory) // New Medical Technologies / New Medical Equipment.-Medizdat, Moscow, 2010. – No. 11. p. 51-72.
Yevin I. Music and the brain. Compilation: Languages of science –languages of art. Moscow, RHD, 2004
Enfi A. “Sympho-electronicmusic: Genesis” // Problems of musical science, 2013, No. 1-p. 36-41
Enfi A. Sympho-electronicmusicis Russia's priority, Pedagogy of art, No. 3, 2012.
Enfi A. Sympho-electronicmusic: social aspects// Sotsiosfera. 2011-No. 2.-p. 18-24.
RotenbergV. Psychoneuroimmunology: a new dimension to an old problem. // Priroda. M. 1991, No.2, p. 29-34.
Enfi A. Sympho-electronicmusic: psychological aspects // Psikhologicheskaya gazeta.-20.05.2011.
Asaf’evB. Symphonism as a problem of modern musicology, L., 1926.
Enfi A. Art-humanitarian practice (amonograph). PublishedbyArt-Humanitarian Centre – M., 1999
Enfi A. What is “sympho-electronic music”? // Music and time.-2011.-No.4.-P. 67-71
Enfi A. Sublimation psychology (a monograph). PublishedbyArt-Humanitarian Centre– Moscow, 2013
Bondarenko V., Yevin I. Attractor network model of music tonality and controlling chaos in the brain, N.Y., 2006
Vysheslavtsev B. Ethics of transfigured Eros. Problems of the Law and Grace// M.: Respublika, 1994.
Enfi A. Essence coding theory as an ethical basis for ideological paradigm of the 3rd Millennium // Proceedings: Proceedings of the International Conference "Valeology and Eniology of the 3rd Millennium", Yalta / Simferopol, 2007
Enfi A. Essence coding theory (a monograph). Art-Humanitarian Centre– Moscow, 1991
BelkinA. Hormones and the unconscious// Psikhoanaliticheskiy vestnik. – M., 2001. – No. 9. p. 70-90. Article with commentsby A. Enfi // Online version available at: http://aramenfi.narod.ru/articls.belkin1.html
Ronald N. Bracewell. The Fourier Transform and its Applications. McGraw-Hill Book Company, 1986.
Simon, G. Information-processing analysis of perceptual processes in problem solving // Psychol. Review. 1969.
Pribram, K. H.: (Ed.). Brain and behaviour. Vols. 1, 2 & 4. Victoria, Australia: Penguin, 1969.
Shannon C, An algebra for theoretical genetics, (Ph.D. Thesis, Massachusetts Institute of Technology, 1940.
Shuter, R.: The psychology of musical ability. London: Methuen 1968.
Wiener, N.: God and golem, inc.. Cambridge: Massachusetts Institute of Engineering, 1964.
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